Track | Country/Region | Title | Instrumentation | Notes | Performance recorded | Timing | |
I. Java |
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1 | Central Java | Examples of some Javanese gamelan instruments: Saron, Kenong, Ketuk, Kempul, Gong | See Music of the Peoples of the World, p. 340-342 | 0:42 | |||
2 | Central Java | Pangkur | Javanese gamelan | Ladrang slendro manyura. See Music of the Peoples of the World, p. 347-352 | Ensemble Karawitan Raras Raos Irama, gamelan Kyai Sekar Tunjung, pesinden Mugini. | 15:31 | |
3-7 | Central Java | Individual instrument parts to Pangkur[track 2]: 3. Gender barung, 4. Rebab, 5. Gambang, 6. Kendang, 7. Bonang Barung | In these examples, a master Javanese musician plays each of five prominent instruments from Ladrang Pangkur (track 6). In some tracks he is accompanied by slentem playing the balungan (main melody) in the background to provide orientation. See Music of the Peoples of the World, p. 347-348, 352 | Trustho | 1:11
1:17 1:05 1:18 1:01 |
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8 | Central Java | Excerpt from Pangkur (pelog) | Javanese gamelan | Ladrang pelog barang. | 2:55 | ||
9 | Central Java | Excerpt from Srimpi Sangapati | Javanese gamelan | Ketuk 2 kerep pelog barang. This is a highly refined, courtly dance for four women representing stories from Islamic epics in highly symbolic movements. The entire performance in this version lasts just over an hour. | Royal gamelan of the court at Surakarta | 3:59 | |
10 | Central Java | Excerpt from Danaraja | Gadon | Ketuk 4 arang minggah ketuk 8, slendro sanga. Performed by gadon, a chamber group featuring only the elaborating instruments of the full gamelan: rebab, suling, and gender barung. | Sarasehan Krawitan Surakarta, directed by Saptana. | 4:22 | |
II. Bali |
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11 | Bali | Gending Pengalang Bebarongan | Gamelan gong kebyar | See Music of the Peoples of the World, p. 360-362 | Gamelan Punia Bhakti directed by I Nyoman Wenten | 5:28 | |
12 | Bali | Balinese Gamelan examples: detuning, pokok (core melody), polos (interlocking part 1), sangsih (interlocking part 2), kotekan (interlocking parts together), kotekan with pokok | See Music of the Peoples of the World, p. 359 | 0:59 | |||
13 | Bali | Purana -- Hujan Mas [Golden Rain] | Gamelan gong kebyar | This is a gamelan gong kebyar composition from the 1960s that typifies the genre. | 6:26 | ||
14 | Bali | Excerpt from Baris | Gamelan semar pegulingan | The classic warrior dance of Bali. This gamelan is a
gamelan semar pegulingan, an ancient and now uncommon 7-tone gamelan, though
Baris is more commonly played on the usual gamelan gong kebyar. See Music of the Peoples of the World, p. 357-358 |
Gamelan "Tirta Sari" of Peliatan, Bali | 3:35 | |
15 | Bali | Sekar Sungsang | Gender wayang | A performance of gender wayang, the quartet of slendro-tuned
metallophones that traditionally accompany the wayang shadow puppet play
in Bali. See Music of the Peoples of the World, p. 33, fig. 5.2 |
6:00 | ||
16 | Bali | Kecak excerpt | Chorus | A performance of kecak, also known as cak or "monkey
chant," the famous interlocking chant of Bali in which voices imitate the
instruments of the gamelan. This piece accompanies a dance representing
a particular scene from the Ramayana. See Music of the Peoples of the World, p. 358 |
Kecak chorus of Peliatan. | 4:44 | |
17 | Bali | Gending Sekar Gadung | Gamelan selunding | A performance on the gamelan selunding -- a rare and
very sacred ensemble made up entirely of iron metallophones, not the bronze
instruments found in common gamelan. See Music of the Peoples of the World, p. 11 fig. 2.4 |
Gamelan selunding ensemble of Tenganan village, directed by I Nyoman P. Gunawan. | 7:54 | |
III. American Gamelan |
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18 | United States | Lou Harrison -- Threnody for Carlos Chávez (1979) | Gamelan degung (from West Java) | The American composer Lou Harrison has written a large
amount of music for gamelan, but deriving as much from his experience as
a composer in the American experimental tradition as from traditional Javanese
theory. His pieces often incorporate Western instruments into gamelan.
This piece is a threnody, or lament, on the death of the Mexican composer
Carlos Chávez featuring solo viola. See Music of the Peoples of the World, p. 364 |
Gamelan Sekar Kembar, Susan Bates, viola. | 7:05 |